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losing my religion cover

Oddly, the most common theme among “Losing My Religion” covers involves imposing on the song a stereotypical dance club beat, complete with thumping bass and driving snare. (adsbygoogle = window.adsbygoogle || []).push({}); Five Good Covers presents five cross-genre reinterpretations of an oft-covered song. Sure, but I can’t bring myself to hate on this performance of the song by a group of Gregorian chanters coincidentally called Gregorian. 5. The television program Rockstar: INXS seems generally loathed, and perhaps with good reason, but fans will rightfully argue that it generated some fairly clever performances. Gabriella & Remy Azzopardi Guitars: Mario Galea Bass: Mark Ell Finally, how could we forget Tori Amos? 4. Apparently, somewhere, nightclubs are filled with people grooving to this song (they’re probably in the corner, in the spotlight). my favorite version of the song is definitely Joshua James’s cover that he did on Daytrotter: http://www.daytrotter.com/dt/joshua-james-concert/20030922-37382044.html. Though earlier singles like “The One I Love” and “It’s the End of the World as We Know It (And I Feel Fine)” teased at broadening the Athens, GA group’s fan base beyond its original college rock crowd, “Losing My Religion” made the group a national name via copious exposure on pop/rock radio.

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She may have the most famous cover of the song: a drastic re-arrangement that captures only a sketch of R.E.M.’s original. For your consideration: contestant Suzie McNeil, who starts off with a bare-bones cover and ends up with the hardest-rocking arrangement of R.E.M.’s track this side of death metal (more on that below). Here are a few of them! But beyond that strange trend, plenty of cool interpretations of the song exist. Honorable mentions for novel (i.e.

Tori Amos made the worst version of this song… only a website that loves indie music to classify this as #1…, You may use these HTML tags and attributes:

, Good, Better, Best: 'Losing My Religion' (R.E.M. Cover of REM's modern folk classic Losing My Religion by Left Hand Drive Out of those early practice sessions, which Buck recorded just in case, sprung arguably the most recognizable mandolin riff of all time, as well as R.E.M.’s largest commercial success to date. Disbanded Swedish trip-hop group Swandive takes R.E.M.’s song to a different kind of club with their chill cover, which augments Michael Stipe’s existential crisis with something that sounds like the famous remix of Suzanne Vega’s “Tom’s Diner.”. 1. Check out previous installments here. A little too on-the-nose?

3. Here are a few of them!

- Losing My Religion (Official Music Video) - YouTube B. Arizona emo group Scary Kids Scaring Kids wants to know what “Losing My Religion” would sound like if it were the music to a Mega Man level. More than any other singer on our list, Amos sounds like she’s really lost something here. Apparently, somewhere, nightclubs are filled with people grooving to this song (they’re probably in the corner, in the spotlight). Oddly, the most common theme among “Losing My Religion” covers involves imposing on the song a stereotypical dance club beat, complete with thumping bass and driving snare. Weirdly, they choose to add pop instrumentation over an already-fine arrangement, but once you’ve accepted the premise of this recording, such complaints seem superfluous. C. A legitimately cool bonus: “Losing My Religion” via iPhone app: Want more Five Good Covers? guitarist Peter Buck had just purchased a mandolin and was trying to figure out how to play it. R.E.M. But beyond that strange trend, plenty of cool interpretations of the song exist. R.E.M. It began as something of a lark. Besides adding dance beats, another major trend in “Losing My Religion” covers involves intimate performances from female vocalists. I believe I read somewhere that Tori Amos’ version brought Michael Stipe to tears, when she played it for him. 2. weird) concepts: A. Italian black metal band Graveworm asks: what if Cobra Commander sang the verses and Cookie Monster took the chorus?

), They Say It’s Your Birthday: Michael Stipe, Five Good Covers: Losing My Religion (R.E.M. ), http://www.daytrotter.com/dt/joshua-james-concert/20030922-37382044.html, Covering the Hits: “Don’t You (Forget About Me)” (Simple Minds), Bill Callahan and Bonnie “Prince” Billy Cover Cat and Hank (Jr.), Hear Elizabeth’s Haunting Cover of Fleetwood Mac’s “Go Your Own Way”, Lingua Ignota Flips Eminem’s “Kim” on Its Head in Noisy New Cover, Gracie Abrams Pays Homage to The Beatles with “Golden Slumbers” Cover, Molly Tuttle, ‘but I’d rather be with you’, ‘Tanya Donelly and the Parkington Sisters’, Gillian Welch and David Rawlings, 'All the Good Times', MGMT’s Andrew VanWyngarden Coats Biff Rose’s “Never Mind” in a Dreamy Synth Haze, Sam Gendel Delivers Odd New-Age-Jazz Cover of “Old Town Road”, B.E.N. The smoothest belongs to California jazz-pop singer Jacqui Naylor, who included this soulful cover on her 2008 album You Don’t Know Jacq. Though the album’s title won’t exactly win any awards, this cover more than makes up for it. Though her cover lacks in aesthetic beauty, it conveys the emotion behind Stipe’s lyrics in an extraordinary fashion.

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